Within this interference pattern, to the contrary, any similitude dissolves and hence the dependence of space on a reference frame is no longer maintained. Orientation is now relative and arbitrary, for the dismantling of the fixed point strips fifteen years of, let’s call it, empirical reality of its novel status. Fear not, this is small-scale stuff! Should your future, whether protracted, brief, or fluctuant in relation to your daily needs, include any examination of the appearance and disappearance of things, this document of a divergent path will, most likely, have no impact on your experience. If one were to speak candidly, innocently, there’s a possibility that a statement such as the following might be uttered - “There is no longer a linear chronicle, there are only shards of a perceived history, a formless sludge made up of endless neutral particles. Malleable, yes, but with increasing frequency recombined under a set of standards dictated by the obligations of a collective unlived memory, never mind by a commercial venture, although it remains implied.” Fear not, servitude is still conditional! In this instance, at least. And, you’ll still need some form of cash - cold, hard or subjective - and you’d do well to consider what methodology of relinquishment you plan for these slabs of plastic after your inevitable departure. Consider the serenity of your executor!
Recorded, mixed and edited by Jason Meagher in 2007.
Rejected by the powers that be shortly thereafter
supported by 20 fans who also own “Formally Haywire”
My introduction to Les Rallizes was via Haino. Heard about a rivalry between Mizutani and Haino (that may or may not be true), and was curious of Mizutani’s work. Boy was it a good choice. Live forever in peace, Takashi Mizutani! blcksrpnt
Tender bedroom pop from this artist from Spain that wrestles with emotions amidst whirring drum machines and moody keys. Bandcamp New & Notable Mar 21, 2021